Landmarks: The Snake Butte Turtle Effigy

Last Updated by Michael Zimny on
Snake Butte Turtle Effigy
John Mitchell

There are runic legends written in stone on hilltops across South Dakota — giant snakes, turtles, mythical beasts, human-like forms, sacred symbols. The meanings within these hieroglyphs are a mystery to most of us. Do they commemorate the deeds of flesh-and-blood beings of our corporeal world? Cosmic or supernatural events? If you could stand on a mountain and read the land like a topographical novel, would it read top-down, left-to-right? 

Archaeologists try to unlock the secrets in the stone through methodical research. Others make like Moses drawing water from the rock of Horeb and listen to the voices in their heads.  

In any case, you can't get a handle on "Black Elk Speaks" or "Thus Spoke Zarathustra" or "Their Eyes Were Watching God" without bothering to read them. How many of the stories once held in the collections of the vast land library have been lost to the elements, vandals or time? We'll never know, but plenty remain.

One such story-writ-in-stone is the Snake Butte Turtle Effigy near Pierre — one of hundreds of petroforms that have been documented in South Dakota, many of which depict animal forms, including turtles, as well as human and mythical forms. Some have disappeared or been altered. Most — including the turtle effigy — are on private land and not officially protected. 

The Snake Butte Turtle Effigy site is accessible — on private land, but the owners welcome considerate visitors.

To get there, take the 1804 about four miles north of Pierre. The turn off (which is a private driveway) is on the left just past Grey Goose Road. At the corner, you'll see a South Dakota State Historical Society sign with the heading, "Sioux Indian Mosaic." From there you can drive to the top of the driveway, park your vehicle (without blocking the driveway) and a sign to the left will direct you to about a quarter mile walk to the top of Snake Butte, overlooking the Missouri River just downstream from the Oahe Dam. The effigy is inside a fenced enclosure. 

The site was first non-verbally documented in 1889, by archaeologist T.H. Lewis, who described the outline of a turtle (or possibly a beetle in his estimation), fifteen feet long from nose to nail, and eight feet wide, with four legs and a tail. "Running in a northerly direction along the edge of the bluff for from 500 to 800 yards there is a row of bowlders [sic], placed at irregular intervals. According to Indian tradition these bowlders mark the places where blood dripped from an Arikara chief, as he fled from the Dakotas, who had mortally wounded him." 

Drawing from T.H. Lewis, "Stone Monuments in Southern Dakota," American Anthropologist, 1889  Drawing from T.H. Lewis, "Stone Monuments in Southern Dakota," American Anthropologist, 1889

Lewis also described "many squares, circles, some parallelograms, and other figures" along the bluff.  

In 1904, Thomas Riggs — a missionary who lived among the Dakota — related the story that he said a Dakota elder had told him about the stones "thirty years ago." 

To paraphrase: An Arikara scout attempted a lone raid a Dakota camp on Snake Butte. He was discovered at dawn by a Dakota guard, who shot him with an arrow.

"The arrow," Riggs said, "had entered the hip in such a way as to render the leg useless and an incumbrance. He ran, or hopped rather, with marvelous swiftness, falling to the ground again and again; in agony and desperation he rose and continued his hopeless flight till overtaken and slain." 

"The victorious Dakota," said Riggs, "was filled with wonder and admiration, and that such astonishing spirit might have a fitting memorial, retracing his steps, he carefully placed a stone over each drop of blood and along the course where the wounded man had fallen he gathered small piles of stones, and larger piles to show the starting in the race and the end."

Recalling Riggs' retelling, state historian Doane Robinson wrote that the turtle at the end of the line of stones was placed there by the memorialist, "to show the tribal lodge to which he belonged." The SDSHS sign near the site agrees with this interpretation of the turtle as a signifier for the Dakota band. 

SDSHS sign web.jpeg

"As for which Lakota band is identified as the attackers, some say Itázipčho, some say Hokwojus," says Sebastian LeBeau — a BIA archaeologist and member of the Cheyenne River Sioux Tribe. Either way: "It's an authentic Lakota story."

One difference: in the version he knows, the Arikara warrior was defending his village, not the other way around. "He was running for his life to warn his people of an impending attack." There is plaenty of archaeological evidence of Arikara village sites in the area around Oahe Dam, though there is no historical record of a particular battle between the Arikara and the Dakota/Lakota connected to this event. "Even in the oral tradition, there is no specification on whether or not a raid was carried out. It just stops with the creation of the turtle effigy." 

top of snake butte web.jpegA recent view from atop Snake Butte.
"What's important is the commemoration of the great deed demonstrated by the dying Arikara." 

Another difference in LeBeau's version of the story is what the turtle symbolizes. "As I was told, the significance of the turtle goes back to creating kinship. Through the brave act of the Arikara — the Lakota in respecting him and honoring him, created a kinship recognition. In some tellings, I've heard old people say they recognized this one as a relative because of his bravery. His concern was for his people and he struggled mightily to try and warn them." 

"The central aspect of why one shares that story is to acknowledge, not a great deed of the Lakota, but a great deed of an enemy. You measure your own self-worth or cultural worth as a warrior by who you fight with," says LeBeau, laughing. "The Arikaras were good fighters. They couldn't whip us, but we respected their ability in combat." 

"What made me feel sad about [the effigy] when I first went to it, was that the actual stone path — elements of it are still there, but the whole path isn't."    

While the turtle figure is protected by the enclosure, many of the stones the stories say symbolize the blood trail left by the brave warrior have disappeared, along with the geometric shapes and figures documented by T.H. Lewis. 

The physical work itself isn't imposing — it's a big (by-turtle-standards) stone outline of a turtle on a hill — dwarfed by panoramic views of the river valley below. Conceptually, it stands alone. Memorials to fallen warriors, built by their enemies, are hard to find.  


subscribe to sdpb email updates food blog link image learning blog link image living blog link news and information blog link science and technology blog link sports blog link image

Related content from SDPB Radio - Art

The Enduring Simplicity (And Complexity) Of Michael Hall

In The Moment ... September 20. 2018 Show 426 Hour 2 Michael Hall writes picture books that delight and endure. He's...

Art That Takes You Home

In The Moment ... July 18, 2018 Show 381 Hour 2 Jon Crane creates "Art that Takes You Home." After a tour at...

Renowned Artists Visit Oscar Howe Summer Art Institute

In The Moment ... June 19, 2018 Show 361 Hour 2 Art can be meditation, expression, activism, and escape. It can also...

Eagle Butte Artists Learn Tips To Flourish

Artists who turn their passion into a business venture can find it a challenge. They need to figure out the details...


The Multiple Hearts Of Laura Geringer Bass

In The Moment ... September 20. 2018 Show 426 Hour 2 When 13 year-old Briana's dad dies suddenly, she is faced with...

Read, Baby, Read: What's America's Best-Loved Novel?

In The Moment ... May 22, 2018 Show 342 Hour 1 What's America's best-loved novel? You get to decide. PBS launches...

Author Kirk Wallace Johnson's "The Feather Thief"

In the Moment ... May 1, 2018 Show 327 Hour 1 The centuries-old art of salmon fishing fly-tying has a dark side. It...

Jane Yolen Celebrates #Yolen365 And Counting

In The Moment ... April 26, 2018 Show 324 Hour 1 In March, author Jane Yolen released her 365th book. That means you...


Matthews Opera House Season Preview

In The Moment ... September 26. 2018 Show 430 Hour 2 The Matthews Opera House subscription concert series begins...

Fun Approach To Music Theory

Andrew Rogers – in home music lessons designed for children and young adults. Uses a unique teaching style that...

The Literary Style of Reina del Cid

Reina del Cid kicks off her summer tour with a stop in Sioux Falls at the Icon Lounge. She joins SDPB's Lori Walsh...

Eric Johnson Returns For Black Hills Playhouse Opener

In The Moment ... May 29, 2018 Show 346 Hour 2 Leave the ordinary behind at this year's Black Hills Playhouse Season...


Broadway Choreographer Chet Walker

In the Moment ... April 9, 2018 Show 311 Hour 1 The University of South Dakota Theater Department presents "Cabaret"...

Images of the Past: Stage To Screen

In The Moment ... November 27, 2017 Show 227 Hour 2 A new exhibit at the Old Courthouse Museum tells the story of...

Personalities: From Huron High to Broadway

Singer, actor, and teacher Joseph Mahowald graduated from Huron High School in 1977. He went on to study music and...

In The Moment ... Alex Meyer's Scenic Design

In The Moment ... May 10, 2017 Show 090 Hour 2 Alex Meyer. He's a junior art and theater major at Augustana College...