David Edelstein
David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.
A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).
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The film about Martin Luther King's marches for voting rights is being accused of alleged historical inaccuracies. Critic David Edelstein says that's "not entirely" fair, and it's still a great movie.
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Film critic David Edelstein says in 2014 none of the great material came from Hollywood studios. But, he says, it was a "wonderful year" for indie films. He names Boyhood as the best of the year. -
The biopic of landscape painter J. M. W. Turner depicts a man whose mind is barely engaged by anything other than his work. He's a mystery, and his art is magically indefinite — just like the movie.
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The film, based on Thomas Pynchon's novel, is set in 1970 in a beach town south of Los Angeles. With wonderful actors, it's like a gorgeous stoner art object: groovy, campy, dreamlike and funny.
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In the Australian chiller, a bogeyman announces himself in a rhyming, pop-up book on a 7-year-old's shelf. But the real horror is that the boy's mom, a grieving widow, is battling psychic demons.
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Cumberbatch stars as British mathematician and World War II code breaker Alan Turing in a film directed by Morten Tyldum and co-staring Keira Knightley as Turing's comrade in arms. -
The film is based on du Pont's fraught relationship with two Olympic wrestlers. Wealth isn't enough — his identity hinges on winning. It's a fascinating case study, but as drama, it's one sick joke.
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Director Damien Chazelle's second film centers on the agony of a drummer in a high-powered music school. The movie ties you into knots: The fear of failure is omnipresent. So is the jazz vibe.
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Based on a screenplay by author Gillian Flynn, the movie is sensationally effective. It's made like a classic noir — evenly paced, with an elegance that in context is deeply perverse.
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The film is based on a true story about the '80s strike Margaret Thatcher vowed to break. It's full of the Britain's best actors, and nearly every line makes you cackle or puts a lump in your throat.
